History and Memory in Contemporary Russia

Overview

This course, supported by the Memory Studies Association, explores memory and historical culture in contemporary Russia through an examination of both state memory policies and grassroots initiatives. In Russia, official narratives are state-centred, emphasising patriotism and military achievement and , limiting critical discussion of topics such as the Second World War, Stalinist repression and the socio-economic transformations of the 1990s. This has intensified since the Russian invasion of Ukraine in February 2022. At the same time, independent voices — from bloggers to journalists and grassroots memory activists – are offering alternative perspectives, challenging official discourse and advocating for a more inclusive and critical approach to historical memory.

The course introduces the diverse ways in which Russia’s past is interpreted, contested and commemorated. We will analyse the role of museums, monuments, popular culture and public debates in shaping collective memory and historical narratives. Particular attention will be paid to the tensions between official memory policies and independent memory initiatives. Through a combination of academic readings, media analysis and case studies, participants will critically engage with the complexities, contradictions and conflicts of memory culture in Russia. The course includes lectures to provide in-depth introductions to key issues in contemporary memory and history culture.Seminars give participants opportunities to work with and and discuss various sources, analysing them independently and discussing them from a comparative perspective.

Learning Outcomes

A general understanding of:

  • approaches and theories of contemporary memory studies and public history;
  • diversity of forms of work with memory and the past;
  • specifics of late Soviet historical culture and its transformation in the first post-Soviet decade;
  • politics of history and memory in contemporary Russia;
  • grassroots initiatives to work with the past and historical counter-narratives.

The skills to be gained upon active participation:

  • knowledge of and ability to navigate the current research literature on memory studies and public history;
  • knowledge of key concepts and approaches for working with memory and the past;
  • ability to apply the approaches studied to analyse and critically evaluate historical culture, history and memory policies in different political contexts;
  • ability to critically analyse a range of sources.

Course Outline

Week 1 – Public history and memory studies in the contemporary Russian context: what can be said and what can be seen (Lecture)

The lecture will discuss differences between public history and memory studies: tasks that these disciplines have, the ways they work with the past, how they distinguish memory and the past. The main focus will be on the hopes, challenges and opportunities of these projects in the context of political changes in Russia in the 2010-20s.

Week 2 – Historical politics in the USSR and the post-Soviet Russia (Lecture)

The lecture will be an introduction to the broad context of key narratives of state use of the past in the late Soviet Union and Russia and their evolution. Much attention will be paid to the different research approaches to this phenomenon and the possibilities they offer for critically examining its agents and practices.

Week 3Holiday in Germany

Week 4 – Problematising state and society in today’s Russia: Concepts of Post-Socialist, Post-Soviet and Homo Sovieticus and their critique (Seminar)

In this seminar, we will critically discuss several concepts that are widely used to analyse society, power, and their relations, including in contemporary Russia. We will discuss what zones of tension they (re)produce, how they are criticized by contemporary researchers, and what other forms of generalization of social and historical analysis can be proposed.

Week 5 – State-Sponsored History: Education, Youth, and Ideology (Lecture)

The lecture will focus on the main areas of state-sponsored history — youth work and education. The focus will be on the Unified History Textbook and the ‘Russia — My History’ museum project. The key agents and mediators of this policy will be discussed.

Week 6 – New tools of state historical politics: “Affective management” of the past in today’s Russia (Seminar)

The seminar will discuss the concept of “affective management of history” using the example of Victory Day celebrations in Russia since the early 2010s as a fundamental event in Russian memorial policy. Special attention will be paid to the emotional involvement of participants and spectators in Victory Day celebrations.

Week 7 – Struggles against centralisation of memory: decolonial approach (Seminar)

In the seminar, we will discuss how postcolonial theory can be applied to the study of memory (and oblivion) of various ethnic groups in contemporary Russia. We will pay attention to the tensions and conflicts between central and regional narratives. As a case study, we will discuss issues of identity and memory of Yakut, the protagonist of Alexei Balabanov’s movie Kochegar.

Week 8 – Memory and heritage activism in Russia: from late Soviet initiatives to New grassroots movements (Lecture)

The lecture will focus on examining both the concepts of “memory and heritage activism” and the specifics of these phenomena in contemporary Russia. Much attention will be paid to the transformation of memory and heritage activism in the 2010s, changes in activist tactics, and discussions around new urban activism.

Week 9 – Memory activism and hidden stories: gender and queer histories in Russia (Seminar)

The seminar proposes to discuss the problem of memory activism related to gender and queer histories in Russia, which were extremely poorly represented in the Russian public sphere. After the adoption of the law banning “LGBT propaganda” in Russia, such hidden histories became even less accessible. The seminar will be focused on discourses and practices of public history, memory activism, and political journalism aimed at making these stories ‘vocal’.

Week 10 – Holiday in Germany 

Week 11 – “Web Memory Wars”: History, Propaganda, and New Media (Lecture)

The lecture will focus on the transformations that historical culture is undergoing in the context of the spread of new social media. On the one hand, the transformation of the role and strategies of historians, authorities and other agents in this process will be discussed. On the other hand, it will analyze how new media (in particular, new social media) are reshaping historical narratives, arguments, and the course of discussions in the Russian-language Internet environment.

Week 12 – Remediating the traumatic and inconvenient past in Russian social media (Seminar)

Continuing the problematization of the previous lecture, this seminar will discuss forms of rethinking the traumatic and controversial past in contemporary Russian-language social media. As a case study, we will examine the figure of Joseph Stalin emerging in Russian-language TikTok, YouTube, etc.

Week 13 – Post-Soviet nostalgia in Russian propaganda and grassroot projects (Lecture)

The lecture will focus on the problem of constructing the memory of the 1990s, which are often seen as one of the most turbulent and poorly understood periods in post-Soviet Russia, marked by severe economic and political upheaval. In the 2000s, Putin’s political narrative cemented the image of the “turbulent (or dashing) 1990s” as an era of chaos, replaced by the “stable 2000s” under his leadership. This narrative has been actively promoted for over two decades, reinforced by cultural mediators such as television, films, and social media, shaping the “collective memory” of the era. The lecture will examine both state-sponsored and grassroots ways of working with the memory of the 1990s.

Week 14 – Nostalgia for the 1990s and counter-narratives in Russian popular culture (Seminar)

The seminar will investigate contemporary Russian popular culture, especially popular music and new media, which represent efforts to shape memory and construct historical counter-narratives about the 1990s. It will propose to discuss the potential of popular culture and new media for more pluralistic memory landscapes despite increasing state control. In the seminar we will analyse several music videos of contemporary Russian musicians, both mainstream and underground, as well as current research on the topic.

Instructors

Alexandra Kolesnik

Alexandra Kolesnik is a PhD in History, associate fellow at the Bielefeld University, Germany, and lecturer at Free University (Brīvā Universitāte, Latvia). She holds the diploma in History from the Russian State University for the Humanities, Moscow, Russia (RSUH) (2010), MA degree in History from the Higher School of Economics, Moscow, Russia (HSE) (2013), and PhD in History from the Ural State University, Ekaterinburg, Russia (2017). In 2011–2022, she worked as Senior research fellow at the Poletaev Institute for Theoretical and Historical Studies in the Humanities (IGITI) and Lecturer in the School of History, HSE, was involved in research projects and taught courses on public history and heritage studies in Russia. In 2023, she was a visiting scholar at the Leibniz Centre for Contemporary History in Potsdam (ZZF), Germany, and Université Paris-Sorbonne, France (programme Atlas, Fondation Maison des sciences de l’homme (FMSH)). Since 2019, she is a member of the International Advisory Board of the journal “International Public History.” Her major fields of research are public history, heritage studies, popular music history, and sociology of culture. Her ongoing research focused on heritage activism in Russia and Soviet rock music heritage in the post-Soviet space.

Aleksandr Rusanov

Aleksandr Rusanov is a PhD in History, postdoctoral researcher at Bielefeld University, Germany, and lecturer at the Free University (Brīvā Universitāte, Latvia). His dissertation, defended at Lomonosov Moscow State University in 2016, focuses on the social history of the medieval Portuguese university. From 2016 to 2022, he was a senior researcher at the Poletaev Institute for Theoretical and Historical Studies in the Humanities (IGITI) and Lecturer in the School of History, both at the Higher School of Economics, Moscow. He took part in collective research projects on academic temporality, emotions in university communities, and images of the Middle Ages in popular culture. From 2020 to 2023 he co-authored and taught the Public History major course at the Higher School of Economics (Medievalism), on the basis of which in 2023 he developed a major of the same name at the Free University. Now his research interests include public history, medievalism studies, critical heritage studies. He is currently working on a project “Politicized and Depoliticized Global Medievalism in Russia, 2010–20s” (grant by Gerda Henkel Foundation).

Certification

This course is hosted by Bielefeld University and certified with 3 ECTS upon successful completion.

Please check the course requirements from the course syllabus and inform your instructor(s) about your request to receive a certificate for this course.

You will find the full syllabus on Moodle course page.

At the end of the semester, the instructors will inform the learning designer about your request and grade. The certificate will be prepared with the university secretariat and it may take up to 8 weeks.

Registration

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Course card for a course titled 'History and Memory in Contemporary Russia.' The background is textured beige with a dark green border. The course instructors, Alexandra Kolesnik and Aleksandr Rusanov, are listed. The course dates are from April 7, 2025, to July 18, 2025, with classes held on Mondays at 15:00 CEST. The course is worth 3 ECTS credits. A circular emblem on the right side reads 'Memory Studies Association - Bielefeld University' with 'Summer Semester' and 'off course 2025' written inside.

Course Details

Duration

07.04.2025 – 18.07.2025

Time

Mondays, 15:00 CEST

Credits

3 ECTS

Language

English

Host Institution

Bielefeld University, Department of History, Philosophy and Theology

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